A Culture Editor on Debating Irresistibly Imperfect Movies

Maya Salam, an editor and reporter at The Times, has a unique approach to discussing films that skirt the line between bad and sublime. As a contributor to the Times Insider, her insights provide a snapshot of how The Times’ journalism is crafted.

During the pandemic, Salam and her friends adapted their movie-night tradition for the virtual environment. They kept their two movie-picking rules intact: the movies should be fun and never boring. Despite the shift from sharing a physical space filled with snacks, discussions thrived over video conference. Moving the gatherings online didn’t lessen their enjoyment but ushered in deeper conversations.

While viewing “Road House,” a cult favorite starring Patrick Swayze, their discussion evolved into more profound topics. What is the allure of these ‘good-bad’ films, those filled with over-the-top antics? They explored what it truly means to be entertained by such films.

“Highbrow about lowbrow,” is how Salam’s editor describes her thinking.

Salam often gravitates towards those whose paths are not conventionally successful or failed. Movies like “Grease 2,” “Batman & Robin,” “Practical Magic,” and “Volcano” are prime examples she uses to ponder entertainment’s essence.

Great films, often recognized for their emotional and intellectual depth, leave lasting impressions but aren’t always revisited. In her series, The Good-Bad films, Salam dives into why some movies are captivating despite—or because of—their flaws.