Exploring the Chicago Shakespeare Theater’s Production: ‘The Winter’s Tale’

Edward Hall’s New Experiment in Chicago Theater

The Chicago Shakespeare Theater has embarked on an intriguing path with Director Edward Hall’s latest production of “The Winter’s Tale.” This venture signals the potential creation of a dedicated repertory company in Chicago, offering actors the chance to work across multiple plays simultaneously.

The initiative brings seasoned Chicago performers into a collaborative environment, extending their employment through fall and early winter. This approach aligns with Hall’s longstanding strategy to design Shakespearean productions around a core troupe, reflecting the traditional manner in which these plays were originally staged, characterized by consistent cast sizes and recurring character types.

Current Performances and Rehearsals

“The Winter’s Tale” premiered on a Sunday afternoon, but won’t be seen again until Friday night as the company prepares for “A Midsummer Night’s Dream,” set to open on November 15. Following its debut, both plays will be featured in what’s known as “rotating rep,” allowing audiences by late November to enjoy both productions in one day.

This method mirrors the strategy of the Stratford Festival in Canada, typically enriching the overall theater experience. For a comprehensive evaluation of the Chicago Shakespeare fall season, one might anticipate “A Midsummer Night’s Dream” alongside this first premiere.

Hope for a Rich Emotional Landscape

The early performance of “The Winter’s Tale” reveals a need for a deeper, consistent emotional engagement. Despite notable performances and entertaining staging ideas, the production lacks a profound emotional impact. Traditionally, the play evokes heart-wrenching responses, but this rendition falls short.

The Essence of Shakespeare’s Late Romances

“The Winter’s Tale” is part of Shakespeare’s late romances, depicting a world offering redemption from grave mistakes and poor judgments. The story revolves around King Leontes of Sicilia, portrayed by Demetrios Troy, whose unfounded jealousy leads to destruction. The play’s bittersweet climax offers him a partial second chance, a theme diluted in this production by certain directorial choices.

The portrayal of Leontes, Hermione, and other characters demands acknowledgment of the complex emotional resolutions intended by Shakespeare. Director Hall’s decision to limit Leontes’ redemption alters the play’s exploration of second chances.

Impactful Opening Scenes

The initial act of the play successfully showcases the tension of Leontes’ accusations against his wife Hermione, echoing situations lacking courageous intervention found in contemporary politics. Characters like Paulina, played by Issy Van Randwyck, emerge as focal points, reinforcing the narrative’s themes through her compelling presence.

A contrast emerges in the latter scenes, particularly the comedic elements, which present Bohemia as a hippy realm complete with playful aspects, potentially overshadowing preparations for subsequent dramatic moments.

Overall Achievements and Visual Elegance

The production offers an eloquent delivery, maintaining clarity and visual elegance with costumes and set design by Michael Pavelka. Iconic moments like the “Exit, pursued by a bear” are delivered effectively, ensuring audience engagement. Despite its entertainment value, the deeper heart of “The Winter’s Tale” remains elusive, waiting to be fully realized within the repertory.

Written by Chicago Tribune critic Chris Jones ([email protected])

Review: “The Winter’s Tale”

Rating: 3 stars

Duration: Through Dec. 12

Location: Chicago Shakespeare’s Courtyard Theater on Navy Pier

Running Time: 2 hours, 40 minutes

Tickets: $65-$135. Call 312-595-5600 or visit chicagoshakes.com