Tanner Dane’s Musical Journey: From Attic Jams to Lakefront Shows

Tanner Dane and his friends began their musical journey in an Elgin attic, jamming for hours. Initially, they covered songs before developing a unique sound blending blues, alternative rock, and soul. They self-produced music using GarageBand, distributing CDs scribbled with Sharpie across town, driven by a love for playing rather than marketing success.

Two decades later, Dane lives in Chicago, performing alone and with his band, Hollyy. He reconnects with childhood bandmates to perform impromptu shows at AIDS Garden Chicago in Lakeview. These performances have gained attention, drawing hundreds of fans, including people from Indianapolis and Wisconsin. Announcements are made last-minute on social media platforms like Instagram and TikTok.

“We’re literally just busking,” Dane stated in an interview, amazed by the crowd’s reception.

The band staged three performances this summer. During a recent performance, Belmont Rocks filled with attendees, picnic blankets covering stone steps. Jade Hart, a 25-year-old fan, expressed love for Chicago and its community.

Dane’s musical roots run deep, beginning with his first instruments at a young age alongside his sister. Music was integral to his family life, thanks to his mother, Jean Bednar, who passed her musical passion to her children.

At the age of 14, Dane’s band, The Reverends, recorded their first album in a Chicago studio after winning recording time in a band competition. They distributed the album at school and local record stores, driven by the determination to produce their own music.

The band eventually dissipated as members went to college. Dane pursued political science at the University of Illinois at Urbana-Champaign, considering law school before reconnecting with his friends and reigniting his musical passion.

Dane linked with Rafael Soto-Marquez, a fellow former member of The Reverends. Soto-Marquez had ventured into Chicago’s music scene, playing at open mics and South Side venues. When they reunited, Soto-Marquez hosted band practices, aiding in the formation of Hollyy.

Dane chose to pursue music in his early 20s, signing a solo record deal and releasing EPs while Hollyy produced its first album. The lake shows added momentum, finding unexpected popularity.

Busking began with solar-powered gear allowing performances without traditional sound systems. Dane’s canceled solo tour led to lakefront performances, initially facing challenges like microphone issues. Attendance grew with subsequent shows. Elise Wagner, a repeat attendee, described the environment as ideal.

Despite police involvement and tickets after a crowded lake show, legal aid offered representation. Performances since then have continued smoothly.

The shows attract diverse audiences, from creative director Liz Gazal enjoying a relaxing evening with snacks to the Campbell family celebrating their daughter’s birthday with dance. Around them, attendees share meals, create crafts, and enjoy the lakeside atmosphere.

As the last song concluded, Dane acknowledged the night’s energy and support, embracing the community’s encouragement.