Review of ‘A Wrinkle in Time’ Stage Adaptation
When Madeleine L’Engle completed her novel “A Wrinkle in Time,” it faced numerous rejections from publishers who were unsure about its unique fusion of science fiction, fantasy, and thought-provoking themes. Eventually published in 1962, the book won the Newbery Medal and has remained a popular choice for readers.
The stage adaptation of “A Wrinkle in Time,” currently performed at Lifeline Theatre, captures the whimsical and extraordinary spirit of L’Engle’s novel. Directed by Heather Currie, the play highlights both the strengths and weaknesses of the original story. Manali Sunkara debuts as Meg Murray, a 13-year-old grappling with challenges at school and home. Meg is portrayed as intelligent yet impatient, showing frustration in math classes and defending her brother, Charles Wallace Murray, played by Rohan Link Francisco.
Meg’s father disappears during a secretive government mission, adding to her troubles. One stormy night, Meg is joined by Charles Wallace and their friend Calvin, played by Sam Hook, on a journey through time and space. Their mission is to rescue Meg’s father and perhaps save the Earth. During this adventure, they are assisted by three celestial beings known as Whatsit, Who, and Which, portrayed by Amanda Link, Cami Stuckert, and Jordan Gleaves.
The casting choices include two adults as teenage characters alongside a child actor, creating a noticeable contrast. Francisco impresses audiences with his portrayal of Charles Wallace, especially as the character’s storyline intensifies. Sunkara, at times, struggles to convey Meg’s awkwardness genuinely but shares charming interactions with Hook as Calvin.
The ensemble cast takes on multiple roles throughout the performance. Link transitions from an amusing Whatsit to a menacing presence on Camazotz. Cruz depicts two different maternal figures: Meg’s supportive mother and a fearful Camazotzian mother, affected by a totalitarian regime.
The stage production effectively creates a magical setting for the children’s adventure. Lindsay Mummert decorates the set with circular designs reminiscent of Ellen Raskin’s original book cover. Props designer Sam Lancaster utilizes orbs at significant moments. Sound designer Joe Griffin and lighting designer Sarah Riffle enhance the mystical atmosphere, while costumes by Jazmin Aurora Medina reflect the peculiarities and dangers encountered by Meg and her friends.
A recent reading of the novel piqued interest in how Lifeline Theatre interprets events on Camazotz. The planet’s Orwellian and Cold War undertones are richly explored, showcasing a society under surveillance and strict punishment. Saskia Bakker’s puppet designs and rhythmic dialogue effectively depict this environment, though some visual elements lack impact.
James Sie’s script remains faithful to the book, maintaining its strengths and weaknesses. The storyline progresses smoothly but ends abruptly, and the central message of “love conquers all” appears overly simplistic given the dramatic stakes. Nonetheless, the tale imparts lasting lessons on courage, family, and self-acceptance. It reminds audiences that personal flaws can become vital strengths in challenging times.
Overall, “A Wrinkle in Time” delivers a story rich in family, friendship, and self-discovery, with its darker and more peculiar aspects embraced. Emily McClanathan, a freelance critic, provides a review of the play.
Review: “A Wrinkle in Time” (3 stars)
When: Through Oct. 18
Where: Lifeline Theatre, 6912 N. Glenwood Ave.
Running time: 2 hours
Tickets: $47 at lifelinetheatre.com or 773-761-4477